New Method for the Traverso

Doretthe Janssens • Boek • loose-leaf

• Samenvatting
   
  
  Nowadays, anyone who wants to learn to play the traverso has little to go on. If you’re lucky, you may bump into a good teacher; if not, you have to figure everything out on your own, because until now a method for the baroque flute with lots of playing materials was not available. 
  
  This method will fill that empty space. Starting point is that those who use this book are not musically illiterate. There is plenty of material on offer to start with; the further you proceed the more fun and challenging it becomes to search for music for yourself.
  
  The main thread consists of texts by Johann Mattheson on the affects of the various keys.In addition extensive attention is given to the ins and outs of the baroque articulation, which is substantially different to what we as players in the 21st century are accustomed to.
  
  This
• Productinformatie
  Binding : Loose-leaf
  Distributievorm : Boek (print, druk)
  Formaat : 210mm x 297mm
  Aantal pagina's : 204
  Uitgeverij : De Fluithoek
  ISBN : 9789082008128
  Datum publicatie : 05-2012
  
• Inhoudsopgave
  Preface........................................................................................................................................... 3
  
  Embouchure and posture.................................................................................................................. 4
  
  Affektenlehre and Mattheson........................................................................................................... 11
  
  Mattheson and G major................................................................................................................... 11
  
  Ornaments (1): the trill.................................................................................................................... 15
  
  Mattheson and D major................................................................................................................... 21
  
  Articulation (1).............................................................................................................................. 24
  
  Ornaments (2): the port de voix........................................................................................................ 29
  
  Articulation (2):  the three-eight time................................................................................................. 35
  
  Mattheson and C major................................................................................................................... 37
  
  Mattheson and F major................................................................................................................... 42
  
  Mattheson and a minor................................................................................................................... 50
  
  Scales: major thirds and minor thirds................................................................................................. 50
  
  Mattheson and A major................................................................................................................... 60
  
  Mattheson and e minor................................................................................................................... 62
  
  Mattheson and d minor................................................................................................................... 68
  
  Ornaments (3): the closing turn......................................................................................................... 80
  
  Articulation (3): semiquavers (sixteenth notes).................................................................................... 95
  
  Ornaments (4): the appoggiatura..................................................................................................... 107
  
  Articulation (4):  triplets................................................................................................................ 111
  
  Mattheson and b minor................................................................................................................. 120
  
  Articulation (5): staccato............................................................................................................... 125
  
  Quantz: e flat and d sharp............................................................................................................... 131
  
  Mattheson and g minor.................................................................................................................. 132
  
  Mattheson and B flat major............................................................................................................ 133
  
  Ornaments (5): the coulement......................................................................................................... 139
  
  The French treble clef................................................................................................................... 143
  
  Ornaments (6): port de voix and coulement...................................................................................... 145
  
  Ornaments (7): the accent.............................................................................................................. 145
  
  Ornament (8): the battement........................................................................................................... 145
  
  Mattheson and E major................................................................................................................. 147
  
  Mattheson and c minor.................................................................................................................. 159
  
  Mattheson and E flat major............................................................................................................ 164
  
  Ornament (9): the flattement.......................................................................................................... 166
  
  Mattheson, A flat major and f minor................................................................................................ 174
  
  Mattheson and f sharp minor.......................................................................................................... 180
  
  Mattheson and B major.................................................................................................................. 191
  
  Fingering table............................................................................................................................. 198
  
  Trill table.................................................................................................................................... 200
  
  Musical Terms............................................................................................................................. 203
  
  Musical Forms............................................................................................................................. 203
  
   
• Reviews (9,3 uit 3 reviews)
  Wil je meer weten over hoe reviews worden verzameld? Lees onze uitleg hier.

  
  

  08-01-2025
  Traverso paradise
  dit boek is geweldig, met een sterke pedagogische aanpak en een veelheid aan stukken om mee te spelen. Het boek was perfect verpakt, het is echt fijn om te zien dat er retailers zijn die hun klanten tevreden willen stellen met een zorgvuldige service. hartelijk dank
  
  

  
  Geplaatst door Bruno uit Descartes , leeftijd 60-69
  Waardeert het boek met een 10 uit 10

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  12-07-2024
  Highly recommended
  Physically the book is beautifully produced. I've only had it for a week or so, so I can only properly judge the first pages. But I can see there are 200 pages and it takes you into all the subtleties of intonation in remote keys. I cannot imagine needing any other traverso method book this side of the grave! I've owned a traverso for at least a year. Previously I could knock out a tune on it, but I haven't touched any flutes for the last 6 months - eclipsed by piano and especially by my choir - so I'm starting from zero again. Only thing I don't like : the 1st exercises are marked fast (Allegro, Vivace etc.). Better tell the student to take it VERY SLOW at first - trying to go fast will just get you frustrated you're making such a crap sound! Chi va piano va sano.
  
  

     Beautiful edition
     Very complete, almost enclopedic
     First exercises marked too fast.
  
  Geplaatst door Gerard Vila , leeftijd 70+
  Waardeert het boek met een 8 uit 10

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  24-06-2024
  Great Book !
  Great book. A must have for all traverso players. Easy shopping and fast shipping from the Netherlands to the USA.
  
  

  
  Geplaatst door Greg
  Waardeert het boek met een 10 uit 10